Rajaditya belongs to that class of people who have a very deep-rooted ancestral legacy in North Kolkata. He resides at one part of an edifice which was probably built by his grandfather or greatgrandfather. His uncle resides at the other end of the building. He lost his parents long ago. His only sibling Jaga is mentally unsound. He has taken refuge at a street footpath. Hence the balcony, the courtyard yard, the staircase, the rooms and the roof constitute the empire of Rajaditya alone. He builds a Museum of Broken Relationships in his house. The museum becomes home to objects with varying histories ranging from the Partition, religion, citizenship and murder. His Uncle's vision of smashing the old property and selling it off to real-estate buyers confronts Rajaditya with choices between dreams and reality. There is a bridge between them. Would he reconcile with his uncle? Or submit to death

Two friends who used to study physics together are forced to make tough decisions as their lives take different paths.

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When a young mother is murdered, Chicago police sergeant Jack Reed sets out to find her killer. But the secret world of undercover operations rears its ugly head.

Drama about two college friends, now working for the same banking firm, torn apart by jealousy over their inequitable positions and love lives.

This making-of is a feature that examines some of the story boarding and Pre-Viz sequences for the film, and moves onto the physical creation of the scene for the film.

Step inside the minds of the most innovative designers in a variety of disciplines and learn how design impacts every aspect of life.

Story of romance and rivalry between two ad agencies vying for the same account with a pharmaceutical firm.

This 16-minute featurette focuses on CafeFX, the team behind the CG work in The Mist (as well as Del Toro's Pan's Labyrinth). They discuss a wide array of points, from matching models with the KNB creature crew to documentaries that inspired the designs. It's great to see a lot of the work-in-progress materials (grid assembly, texture work, etc), as it helps to appreciate exactly what pops up on screen. Furthermore, it also discusses a lot of the "mist" effects that play off of their environments

In the present work, the artists appears lying on his back, his eyes mostly closed, dreamingly listening to a walkman that plays, a recording of 'The Best of Lou Reed and the Velvet Underground'. The artist can hear the music through his earphones, but as viewers we are only privy to the sound of his voice that whispers the melody. As we listen to the hypnotic interpretion of the familiar songs - as emblematic for pop music history as 'Psycho' is for film - we are forced to mentally 'reconstruct' the remaining orchestration, instrumentation and vocals. We must attempt to reassemble something we already know to be a fact by negotiating the sticky mess of interpretation, meaning, and memory.